The magnificent Gothic spires of St. Mary's Basilica, which have guarded Europe's second-largest market square for the past seven centuries, have come to represent Kraków and serve as a central theme in the tales that comprise the city's mythological and historical history.
From the red-brick exterior to the interior ceiling art's yellow-specked starry murals, the church's façade's oddly mismatched towers, and the magnificent, painstakingly carved altar piece, this building exudes elegance and mystery. It is simultaneously both breathtaking and thought-provoking, and it is forever enmeshed in the folklore of this Slavic town.Prior to your arrival in Poland, you can purchase tickets for St. Mary's Basilica through Get Your Guide. Additionally, you can participate in a Kraków tour that includes a visit to the church and other important sites. The greatest method to learn more about what you are looking at is to do this. Access to around 40 other attractions is also provided with the KrakowCard.The current basilica, which was first constructed in the 13th century, was rebuilt in the 14th century as a result of the Mongol invasions that destroyed Kraków in 1259. When a lone trumpeter plays the so-called Hejnal Mariacki from the top of St. Mary's tallest tower, visitors are reminded hourly of the church's pivotal role in Cracovian history, in addition to the red medieval frontispiece and Gothic decorations that have come to define Polish cathedral architecture.This little trumpet song honors the now-famous Polish peasant who forewarned the city of an approaching Mongol invasion in the thirteenth century. Just as it is today to remember the tragic death of the city's valiant savior, who was immediately shot in the neck by a Mongol archer, Kraków was spared, but the trumpeter's song was interrupted.The legends don't end there, though, as is the case with most things Kraków. Another story is told by the two towers that make up the church's frontal façade. It is said that a horrific fratricide that swiftly put an end to building is the reason for their starkly disparate heights. According to the myth, two brothers were engaged to be architects—one on each tower—and jealously developed as one started to eclipse the other. The envious person killed his brother in a fit of rage, but as soon as he realized what he had done, he immediately jumped himself from the larger tower.
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